When we listen to others (or ourselves) play our
instrument, it is difficult to avoid listening on a technical level. We can hear the tone on that middle C#, we
know that playing the fast altissimo stuff is hard, we’re waiting to hear “the
tough lick” in the piece, etc. We are
saddled with too much baggage to really be engaged in a rich musical
experience. This is not to say that
there may not be moments that do touch us, but so much is lost on us due to our
familiarity with the instrument.
If we listen to another closely related instrument (i.e.
a saxophone player listening to a clarinet), we are probably still too close to
the act of performing for the music to have a profound effect on us. There are
still issues here. Is the breath
steady? Is the reed too hard?
When listening to instruments that are very unlike our
own (i.e. wind players listening to string instruments) the music has a better
chance of reaching us since we are further from the technique of the
instrument. But we do have the
professional-musician mindset that may still cloud our listening experience. Is the tone even? What about the pitch on that low note? Man, this is a hard piece!!
In order to actually experience music more in the way
non-musicians do, it might be better to listen to music that, as a solo
instrumentalist, we cannot perform. Large ensemble works are great for this. The repertoire for orchestra, wind ensemble,
and chorus provides a wealth of very powerful music that can provide us with significant
aesthetic experiences. Chamber music, electronic music,
jazz, bluegrass, and other styles of music are also good options for the
musician’s listening list.
Different styles of music can speak to us in unique ways. One of my most memorable musical experiences
took place after an artist conference in North Carolina. A number of guitar and banjo players (maybe a
harmonica player too) got together to jam, to sing, and to share some Appalachian
mountain music. I sat and listened. The picking and strumming went on for hours. I
was transfixed and deeply impressed by how this music--born of tremendous
suffering, sorrow, joy and tenderness—was able to touch me on a very personal
level.
Food for thought. I'd be interested in your comments/experiences (click the comment link at the end of this post).
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